Kathy Acker

American
Born in New York, 1943?
Spent much of childhood in England, later returned to America.
Died in 1997 (cancer)


Published Works

FICTION

2001   Artspace Is / Artspace Was
1997   Eurydice In the Underworld
1997   Collatoral Damage
1996   Pussy, King of the Pirates [Grove]
1995   Pussycat Fever
1993   My Mother: Demonology [Pantheon]
1992   Rapid Eye
1992   Hannibal Lecter, My Father [Semiotext(e)]
1990   In Memoriam to Identity
1990   Kathy Goes to Haiti
1989   the Beginning of the Life of Rimbaud
1988   Empire of the Senseless [Grove Press)]
1987   Literal Madness
1986   Don Quixote [Evergreen],[Grove Press]
1984   Algeria: a Series of Invocations because Nothing Else Works
1982   Great Expectations [Evergreen],[Grove Press]
1982   Hi I'm Erica Jong
1981   NYC in Nineteen Seventy Nine
1978   Blood and Guts in High School[Pan Books],[Grove Press]
1975   the Complete Works of Constance de Jong
1975   the Adult Life of Toulouse Lautrec: by Henri Toulouse Lautrec
1974   I Dreamt I Was a Nymphomaniac
1973   the Childlike Life of the Black Tarantula: by the Black Tarantula


Excerpts

From Don Quixote:

DON QUIXOTE'S ABORTION

When she was finally crazy because she was about to have an abortion, she conceived of the most insane idea that any woman can think of. Which is to love. How can a woman love? By loving someone other than herself. She would love another person. By loving another person, she would right every manner of political, social, and individual wrong: she would put herself in those situations so perilous the glory of her name would resound. The abortion was about to take place:
From her neck to her knees she wore pale or puke green paper. This was her armor. She had chosen it specially, for she knew that this world's conditions are so rought for any single person, even a rich person, that person has to make do with what she can find: this's no world for idealism. Example: the green paper would tear as soon as the abortion began.


From Blood and Guts in High School:

MR. FUCKFACE: You see, we own the language. Language must be used clearly and precisely to reveal our universe.
MR. BLOWJOB: Those rebels are never clear. What they say doesn't make sense.
MR. FUCKFACE: It even goes against all the religions to tamper with the sacred languages.
MR. BLOWJOB: Without language the only people the rebels can kill are themselves.

(Meanwhile, the theatre in which the play is being shown is set on fire.)

MR. KNOCKWURST: Every night Sahih tells me my workers play these records of screams and to amuse themselves instead of sleeping they knife each other. Is that what we call language?

(No answer.)

Anything to add? Any corrections to make?