Kathy Acker
American
Born in New York, 1943?
Spent much of childhood in England, later returned to America.
Died in 1997 (cancer)
Published Works
FICTION
2001 Artspace Is / Artspace Was
1997 Eurydice In the Underworld
1997 Collatoral Damage
1996 Pussy, King of the
Pirates [Grove]
1995 Pussycat Fever
1993 My Mother: Demonology [Pantheon]
1992 Rapid Eye
1992 Hannibal Lecter, My Father [Semiotext(e)]
1990 In Memoriam to Identity
1990 Kathy Goes to Haiti
1989 the Beginning of the Life of Rimbaud
1988 Empire of the Senseless [Grove Press)]
1987 Literal Madness
1986 Don Quixote [Evergreen],[Grove Press]
1984 Algeria: a Series of Invocations because Nothing Else Works
1982 Great Expectations [Evergreen],[Grove Press]
1982 Hi I'm Erica Jong
1981 NYC in Nineteen Seventy Nine
1978 Blood and Guts in High School[Pan Books],[Grove Press]
1975 the Complete Works of Constance de Jong
1975 the Adult Life of Toulouse Lautrec: by Henri Toulouse Lautrec
1974 I Dreamt I Was a Nymphomaniac
1973 the Childlike Life of the Black Tarantula: by the Black Tarantula
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Excerpts
From Don Quixote:
DON QUIXOTE'S ABORTION
When she was finally crazy because she was about to have an abortion, she conceived of the most insane idea that any
woman can think of. Which is to love. How can a woman love? By loving someone other than herself. She would love another
person. By loving another person, she would right every manner of political, social, and individual wrong: she would put
herself in those situations so perilous the glory of her name would resound. The abortion was about to take place:
From her neck to her knees she wore pale or puke green paper. This was her armor. She had chosen it
specially, for she knew that this world's conditions are so rought for any single person, even a rich person, that person has to
make do with what she can find: this's no world for idealism. Example: the green paper would tear as soon as the abortion
began.
From Blood and Guts in High School:
MR. FUCKFACE: You see, we own the language. Language must be used clearly and precisely to reveal our universe.
MR. BLOWJOB: Those rebels are never clear. What they say doesn't make sense.
MR. FUCKFACE: It even goes against all the religions to tamper with the sacred languages.
MR. BLOWJOB: Without language the only people the rebels can kill are themselves.
(Meanwhile, the theatre in which the play is being shown is set on fire.)
MR. KNOCKWURST: Every night Sahih tells me my workers play these records of screams and to amuse themselves instead
of sleeping they knife each other. Is that what we call language?
(No answer.)
Anything to add? Any corrections to make?

